http://www.ondarock.it/recensioni/2009_nembrot.htm
Noise column as the ideal post-modern life. Because, as Witkiewicz, "the noise is a big thing, the noise deafening, blinding, destroys the will, creating a Dionysian madness in one dimension abstract, otherworldly, and yet, in a real sense, not only as an abstract promise. "
fragile creatures wander through the intricacies of these sounds-sounds that Nimrod (from Saviano, Naples) as they erect walls of suffocating fog, searching for a meaning to this wandering life, and without apparent purpose.
Active since 2001, the trio (which I had the pleasure of listening for the first time live during the final Campania Wave ) composed by Pasquale "pako-P" Pierno (guitars, sheet and interpretations ), Gregory Cassataro (guitars and sound elements) and Carmine Morelli (drums and percussion "Nimrod") staged work with this same name (issued by Officine Frog Netlabel Neapolitan, from whose website you can, for free, download the disk) a purification ritual in which the courage of sonic choices goes hand in hand with the force of ideology neo would like digging new-romantic soul grooves, hoping that the body be moved again, shudder that the mind and the heart beat to begin again in earnest.
's a music "insane", worked nell'alveo obscure tensions between Einsturzende Neubauten and Pink Floyd (the most esoteric), martial enough to declare war world which continues to blind and stupid ("Insane"), but, above all, visionary and evil, as demonstrated by the "moving" psychoanalytic nightmare of "The Vile of stolen goods."
result of a well-dominated balance between improvisation and structure, this is a sound that would require, perhaps, a greater attention to detail, but which, nevertheless, knows how to outline the (fleeting?) Boundaries between the physical more thrust blinding frenzy from some noise rock avant-garde free-noise ("").
The three parts of "Claustrophobia" bridge the gap between the soundscape so dear to the post-nuclear generation "industrial", the minimal dynamic kraute ( Can is the name ...) and endless tunnels in which a stellar wind announced, sadly, the advent the last, desperate call divine.
A journey, that of Nimrod, who, on balance, it can be said to be all introspective, plays on light and shade of an inner world that is not mimesis of reality, but rather, his emotional transfiguration, not without inter ' another, the Velvet redenzionali. The furious progression and delirious arsonist chaos of "unconditional surrender" is not, in fact, the symbol of capitulation. They can not be, as the band has a moral duty not to stop, because the talent is not wasted ...
of Francesco Nunziata
